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字段	字段内容
02
001	02h0224407
003	OCoLC
005	$2: 0140306134310.0
008	$1: 20711s2013 enkgh f 001 0 eng
010	$a: 2012028037
020	$a: 1107007321 (hardback)
040	$a: DLC$b: eng$c: DLC$d: OCLCO$d: BTCTA$d: YDXCP$d: CDX$d: TDF$d: UPP$d: OUN$d: RES$d: KSU$d: UtOrBLW
050	$0: 0$a: ML3918.P67$b: M82 2013
082	$0: 0$a: 780.9/04$2: 23
093	$a: J60-052$2: 5
245	$0: 0$a: Music and protest in 1968 /$c: edited by Beate Kutschke and Barley Norton.
260	$a: Cambridge, England ;$a: New York :$b: Cambridge University Press,$c: 2013.
300	$a: xiv, 327 p. :$b: music, facsimiles ;$c: 25 cm.
490	$a: Music since 1900
504	$a: Includes discography (pages 300-303)
520	$a: Music was integral to the profound cultural, social and political changes that swept the globe in 1968. This collection of essays offers new perspectives on the role that music played in the events of that year, which included protests against the ongoing Vietnam War, the May riots in France and the assassination of Martin Luther King, Jr. From underground folk music in Japan to anti-authoritarian music in Scandinavia and Germany, Music and Protest in 1968 explores music's key role as a means of socio-political dissent not just in the US and the UK but in Asia, North and South America, Europe and Africa. Contributors extend the understanding of musical protest far beyond a narrow view of 'protest song' to explore how political and social protest played out in many genres, including experimental and avant-garde music, free jazz, rock, popular song and film and theater music.
650	$a: Nineteen sixty-eight, A.D.
700	$a: Norton, Barley,$d: 1971-
830	$a: Music since 1900.
905	$a: CUCL$p: E80423$e: K95$d: J60-052$r: ￥468.81